3 Dana Filming Locations
Where was 3 Dana filmed? 3 Dana was filmed in 5 locations across Bosnia and Herzegovina, Croatia and Serbia in the following places:
3 Dana Filming Locations
Široki Brijeg is a city and the regional capital of West Herzegovina Canton of the Federation of Bosnia and Herzegovina, an entity of Bosnia and Herzegovina. As of 2013, the town itself had a population of 6,149 and the municipality of 28,929.
Mostar is a city in southern Bosnia and Herzegovina, straddling the Neretva River. It’s known for the iconic Stari Most (Old Bridge), a reconstructed medieval arched bridge. The nearby alleys are full of shops and market stalls, and the Old Bridge Museum explores the bridge’s long history. A narrow staircase leads up to the Koski Mehmed-Pasha Mosque’s minaret for panoramic city views.
Zagreb, Croatia’s northwestern capital, is distinguished by its 18th- and 19th-century Austro-Hungarian architecture. At its center, Upper Town is the site of the Gothic, twin-spired Zagreb Cathedral and 13th-century St. Mark’s Church, with a colorfully tiled roof. Nearby is pedestrian-friendly Tkalčićeva Street, lined with outdoor cafes. Lower Town has the main square, Ban Jelačić, plus shops, museums and parks.
Sarajevo, capital of Bosnia and Herzegovina, is a compact city on the Miljacka River, surrounded by the Dinaric Alps. Its center has museums commemorating local history, including Sarajevo 1878–1918, which covers the 1914 assassination of Archduke Franz Ferdinand, an event that sparked World War I. Landmarks of the old quarter, Baščaršija, include the Ottoman-era Gazi Husrev-bey Mosque.
Belgrade is the capital of the southeast European country of Serbia. Its most significant landmark is the Beogradska Tvrđava, an imposing fortress at the confluence of the Danube and the Sava rivers. The fort is a testament to the city’s strategic importance to the Roman, Byzantine, Ottoman, Serbian and Austrian empires, and it's now the site of several museums as well as Kalemegdan, a vast park.
3 Dana (2011)
It tells about the stopping of Yugoslav National Army tanks in Polog on May 7, 1991, and depicts the events of May 7, 8, and 9, 1991. The complexity of the situation is presented. Through the interview with the actual participants, one can see the full spectrum of problems, conflicts with superiors, with ordinary protesters who, under the great rush of adrenaline, were prepared to give their lives under tank tracks.