A Demonstration Filming Locations
A Demonstration Filming Locations
Bologna is the lively, historic capital of the Emilia-Romagna region, in northern Italy. Its Piazza Maggiore is a sprawling plaza lined with arched colonnades, cafes and medieval and Renaissance structures such as City Hall, the Fountain of Neptune and the Basilica di San Petronio. Among the city’s many medieval towers are the Two Towers, leaning Asinelli and Garisenda.
Bomarzo is a town and comune of the province of Viterbo, in the lower valley of the Tiber. It is located 14.5 kilometres east-northeast of Viterbo and 68 kilometres north-northwest of Rome.
Berlin, Germany’s capital, dates to the 13th century. Reminders of the city's turbulent 20th-century history include its Holocaust memorial and the Berlin Wall's graffitied remains. Divided during the Cold War, its 18th-century Brandenburg Gate has become a symbol of reunification. The city's also known for its art scene and modern landmarks like the gold-colored, swoop-roofed Berliner Philharmonie, built in 1963.
Florence, capital of Italy’s Tuscany region, is home to many masterpieces of Renaissance art and architecture. One of its most iconic sights is the Duomo, a cathedral with a terracotta-tiled dome engineered by Brunelleschi and a bell tower by Giotto. The Galleria dell'Accademia displays Michelangelo’s “David” sculpture. The Uffizi Gallery exhibits Botticelli’s “The Birth of Venus” and da Vinci’s “Annunciation.”
A Demonstration (2020)
"A Demonstration" is a monster film with no monsters. Inspired by the existence of taxonomies of monsters at the heart of Early Modern European science, the film explores and reinterprets a way of seeing the natural world that is almost impossible to imagine from today's vantage point. Early Modern naturalists were guided by a logic in which scientific truths were discovered through visual analogy. The word 'monster' comes from the latin 'monstrare', meaning to show, to reveal, to demonstrate. "A Demonstration" picks up on these themes in a poetic exploration of the boundaries of sight and the metamorphosis of form.
