Cotolay Filming Locations
Where was Cotolay filmed? Cotolay was filmed in 11 locations across Spain in the following places:
Cotolay Filming Locations
Lugo is a city in northwestern Spain in the autonomous community of Galicia. It is the capital of the province of Lugo. The municipality had a population of 100,060 in 2024, making it the fourth most populous city in Galicia.
Madrid, Spain's central capital, is a city of elegant boulevards and expansive, manicured parks such as the Buen Retiro. It’s renowned for its rich repositories of European art, including the Prado Museum’s works by Goya, Velázquez and other Spanish masters. The heart of old Hapsburg Madrid is the portico-lined Plaza Mayor, and nearby is the baroque Royal Palace and Armory, displaying historic weaponry.
Melón is a municipality in the province of Ourense, in the autonomous community of Galicia, Spain. It belongs to the comarca of O Ribeiro. It has a population of 1582 and an area of 53.22 km².
Pontevedra is a city in northwest Spain. It’s known for its well-preserved old town and Gothic Santa María la Mayor Basilica. The Ruínas de San Domingos are the remains of a 14th-century convent. Nearby, the Sexto Edificio museum showcases Galician art. Northeast, Illa das Esculturas is an island with outdoor sculptures. Northwest of town, Mosteiro de Santa María de Armenteira is a 12th-century Cistercian monastery.
Ribadavia is a town and municipality located in the southwest of the province of Ourense, in the autonomous community of Galicia, Spain. It belongs to the comarca of O Ribeiro. The urban area lies on the right bank of the Miño river and the last course of the Avia river.
Santiago de Compostela is the capital of northwest Spain’s Galicia region. It’s known as the culmination of the Camino de Santiago pilgrimage route, and the alleged burial site of the Biblical apostle St. James. His remains reputedly lie within the Catedral de Santiago de Compostela, consecrated in 1211, whose elaborately carved stone facades open onto grand plazas within the medieval walls of the old town.
Ávila, capital of the Spanish province of the same name, is a city in the rolling hill country northwest of Madrid. It’s best known for its intact medieval city walls, with 80-plus crenelated, semicircular towers and 9 gates, including the arched El Alcázar, on the eastern side. Long sections atop the walls are walkable. At night, the lighted walls are a distinctive sight.
Cotolay (1965)
The plot is loosely based on the legend from Galicia in north-west Spain of the founding by St Francis of Assisi (1182-1226) of the Convent of San Francisco near Santiago de Compostela in 1214 with the help of a poor charcoal burner named Cotolay, who found a buried treasure which paid for the construction. This slow moving but engaging film opens with St Francis arriving in Santiago with two other monks - Juan of Florence and Bernardo de Quintavalle - during a pilgrimage there to visit the tomb of St James the Apostle in the cathedral. He receives a divine revelation to tarry there until the meaning of his vision becomes clear. Faint with hunger he meets Cotolay (the 14-year-old Didier Haudepin) who gives the monks (stolen) figs to eat and leads them to the nearby Mount Pedroso where logging-master Tarna gives them food and lodging in return for work during their stay. While praying on the mountain St Francis believes he has been divinely instructed that his order of mendicant friars should found convents, starting at Santiago. Because St Francis is struck down with fever and blindness, Cotolay promises him that he will build it for him. Believing his grandfather's tales of buried treasure at a ruined abbey Cotolay vainly goes in search of it, until St Francis tells him that real treasure lies in one's self, in faith, humility and obedience; with these qualities one can build a whole world, not just a convent. With charm, piety, zeal and kindness Cotolay sets about his task, persuading the abbot of St Martin's Benedictine Monastery to grant a parcel of his land as large as a bull's skin in return for a basketful of fish. The abbot agrees but Cotolay cuts the skin into thin strips and marks out a far larger plot of land than expected in the Val de Dios (Valley of God). Next Cotolay gets the cathedral master mason Mateo to donate a pile of stones and has the loggers transport them to the chosen site in a competition of strength. After Mateo has constructed the convent St Francis is taken to the new building where his sight is restored. The film ends with St Francis taking his leave of a tearful Cotolay, who wants him to stay. (It should be noted that the version of the film with English subtitles is usually known as Cotolay, rather than by the original Spanish title of El Nino y El Lobo - The Boy and the Wolf.) The wolf of the Spanish title plays only a very minor part in the story and is eventually tamed by St Francis.