From Wounded Knee to Standing Rock: A Reporter's Journey Filming Locations
Where was From Wounded Knee to Standing Rock: A Reporter's Journey filmed? From Wounded Knee to Standing Rock: A Reporter's Journey was filmed in 4 locations across United States in the following places:
From Wounded Knee to Standing Rock: A Reporter's Journey Filming Locations
Klamath is an unincorporated community in Del Norte County, California, situated on US Route 101 inland from the mouth of the Klamath River. The population of Klamath is 632 based on US Census estimates, down from 779 recorded in the 2010 US census.
The Pine Ridge Indian Reservation, also called Pine Ridge Agency, is an Oglala Lakota Indian reservation located in the U.S. state of South Dakota, with a small portion of it extending into Nebraska.
The Standing Rock Reservation lies across the border between North and South Dakota in the United States, and is inhabited by ethnic "Hunkpapa and Sihasapa bands of Lakota Oyate and the Ihunktuwona and Pabaksa bands of the Dakota Oyate," as well as the Hunkpatina Dakota.
Eureka is a port city in Northern California. Its Old Town district features elaborate Victorian houses such as the nearby Carson Mansion. Sequoia Park Zoo is home to pandas and primates, and features a walk-through aviary. Next to the zoo, Sequoia Park is home to massive old-growth redwood trees. Guided boat cruises aboard the early-1900s Madaket ferry take in the sights, seals and birdlife of Humboldt Bay.
From Wounded Knee to Standing Rock: A Reporter's Journey (2019)
A rookie NPR reporter on his first assignment, covering the armed occupation of Wounded Knee in South Dakota in 1973, is treated as the enemy and ultimately arrested by the FBI for defying a government news blackout to embed with militant Indians. Forty years later, he meets a Yurok Indian fisherman in California, a man he unwittingly had photographed during the 10-week occupation. The two become friends, traveling back to the Dakotas and later to the pipeline protests at Standing Rock, to investigate the legacy of 1970's activism in Indian Country. Meanwhile, the reporter launches a new investigation into the murder of his former room mate, a Canadian Native who played a part at Wounded Knee. He butts heads with the FBI again, this time over the Bureau's alleged practice of 'snitch-jacketing' the dead women as an informer. The story takes another unsettling turn when the reporter confronts the co-founders of the Indian movement with their alleged ties to her killing, a decision that threatens to undermine his status as a trusted outsider.