La città vuota - Out of the Blue Filming Locations
Where was La città vuota - Out of the Blue filmed? La città vuota - Out of the Blue was filmed in 7 locations across Italy in the following places:
La città vuota - Out of the Blue Filming Locations
Rome is the capital city of Italy. It is also the capital of the Lazio region, the centre of the Metropolitan City of Rome Capital, and a special comune named Comune di Roma Capitale.
Cantalupo in Sabina is a town and comune in the province of Rieti, on the Sabine Hills of Lazio. It is famous as the reputed origin of the melon called a cantaloupe melon.
San Felice Circeo is a town and comune in the province of Latina, in the Lazio region of central Italy. It was an ancient city called Circeii. It is one of I Borghi più belli d'Italia. It is included in the Circeo National Park.
Arrone is a comune in the Province of Terni in the Italian region Umbria, located about 70 km southeast of Perugia and about 10 km east of Terni in the Valnerina. It is one of I Borghi più belli d'Italia.
Marcellina is a comune (municipality) in the Metropolitan City of Rome in the Italian region of Latium, located about 30 kilometres northeast of Rome.
La città vuota - Out of the Blue (2020)
A man wakes up and finds himself completely alone. His name is Faber, the only piece that still remains intact, beyond the abyss of decay and emptiness that devour him from all sides. This frightening situation, which suddenly imprisons the dynamics of his existence, is where we start for a deep immersion in the architecture of this sudden and sprawling universe. Every step in the ruins of this interregnum will be imbued with an arcane silence, which seems to belong to the nightmare of a civilization extinguished by a centuries-old curse. As the places buried by the enchantment remain silent, at the same time sharp fragments of a single crystal reverberate, raising every now and then their vibration, summing up in their echo an ever-changing emotional form, continuously winding through history like tributaries full of impetuous currents. Tiredness and despair are now suffocating Faber, yet there is still something he wants to know and discover, between the last thread of makeup in the dark eyes of a waitress before getting off work, and the magisterium of this tragic theater, infested with dark scenes and ghostly transhumances. The only inverse and forbidden sense, in the dim drift of a last journey, or phobic point of no return.