L'amour à vingt ans Filming Locations
L'amour à vingt ans Filming Locations
Rome is the capital city of Italy. It is also the capital of the Lazio region, the centre of the Metropolitan City of Rome Capital, and a special comune named Comune di Roma Capitale.
Tokyo, Japan’s busy capital, mixes the ultramodern and the traditional, from neon-lit skyscrapers to historic temples. The opulent Meiji Shinto Shrine is known for its towering gate and surrounding woods. The Imperial Palace sits amid large public gardens. The city's many museums offer exhibits ranging from classical art (in the Tokyo National Museum) to a reconstructed kabuki theater (in the Edo-Tokyo Museum).
Munich, Bavaria’s capital, is home to centuries-old buildings and numerous museums. The city is known for its annual Oktoberfest celebration and its beer halls, including the famed Hofbräuhaus, founded in 1589. In the Altstadt (Old Town), central Marienplatz square contains landmarks such as Neo-Gothic Neues Rathaus (town hall), with a popular glockenspiel show that chimes and reenacts stories from the 16th century.
Paris, France's capital, is a major European city and a global center for art, fashion, gastronomy and culture. Its 19th-century cityscape is crisscrossed by wide boulevards and the River Seine. Beyond such landmarks as the Eiffel Tower and the 12th-century, Gothic Notre-Dame cathedral, the city is known for its cafe culture and designer boutiques along the Rue du Faubourg Saint-Honoré.
Warsaw, officially the Capital City of Warsaw, is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland.
L'amour à vingt ans (1962)
"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson. The directors create their peculiar scenarios with Truffaut revisiting Antoine Doinel, this time finding some meaning to his life while getting involved with a girl; Renzo Rossellini's episode about an abandoned mistress; Ishihara's tale about an obsessive love; Ophüls' story about a pregnant woman trying to plot against the baby's father; and Wajda presenting a confusing relationship between people from different generations.