Le roi danse Filming Locations
Le roi danse Filming Locations
Versailles is a commune in the department of the Yvelines, Île-de-France, renowned worldwide for the Château de Versailles and the gardens of Versailles, designated UNESCO World Heritage Sites.
France, in Western Europe, encompasses medieval cities, alpine villages and Mediterranean beaches. Paris, its capital, is famed for its fashion houses, classical art museums including the Louvre and monuments like the Eiffel Tower. The country is also renowned for its wines and sophisticated cuisine. Lascaux’s ancient cave drawings, Lyon’s Roman theater and the vast Palace of Versailles attest to its rich history.
Germany is a Western European country with a landscape of forests, rivers, mountain ranges and North Sea beaches. It has over 2 millennia of history. Berlin, its capital, is home to art and nightlife scenes, the Brandenburg Gate and many sites relating to WWII. Munich is known for its Oktoberfest and beer halls, including the 16th-century Hofbräuhaus. Frankfurt, with its skyscrapers, houses the European Central Bank.
Belgium, a country in Western Europe, is known for medieval towns, Renaissance architecture and as headquarters of the European Union and NATO. The country has distinctive regions including Dutch-speaking Flanders to the north, French-speaking Wallonia to the south and a German-speaking community to the east. The bilingual capital, Brussels, has ornate guildhalls at Grand-Place and elegant art-nouveau buildings.
Le roi danse (2000)
Corbiau repeats the Farinelli formula, artistic rivalry and social private drama expressed in dazzling, sometimes excessively lavish baroque scenery, music and costume, but this time in its ultimate setting: Versailles. There are two protagonists - first the title character, Louis XIV, the French sun-king who has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer (like Nero wrote and performed musical poetry), and starts asserting himself against the entourage of his Medici mother, the regent during his minority, by building his palace complex and launching a 'fitting' new, mainly musical display of baroque show. Secondly the musical genius Gianbattista Lulli ('Jean-Baptiste') Lully, a Florentine upstart of unbridled ambition, quickly gains the king's absolute trust, despite the nationalist and aristocratic opposition to a low-born Italian, and thus turns the normally socially humble post of court composer into a 'ministerial portfolio of culture' of Cabinet rank, complete with a monopoly which kills of his artistic rivals in operatic theater. The script also weaves a complex web of court scheming for individual power and social interests, and even a sadistic but accidental murder on a young valet, producing a sensuous and sumptuous drama too complex for this format, ending in a freakish but fatal accident. Louis XIV's mother was Ana de Austria (in French, Anne d' Autriche), the daughter of one of the Hapsburgh Kings of Spain. Maria di Medici (in French, Marie de Médicis) was his grandmother, his father's mother. She was dead before Louis XIV reached the throne. Please correct the reference to "his Medici mother"
