My Name Is Ernest Filming Locations
Where was My Name Is Ernest filmed? My Name Is Ernest was filmed in 5 locations across Italy in the following places:
My Name Is Ernest Filming Locations
Venice, the capital of northern Italy’s Veneto region, is built on more than 100 small islands in a lagoon in the Adriatic Sea. It has no roads, just canals – including the Grand Canal thoroughfare – lined with Renaissance and Gothic palaces. The central square, Piazza San Marco, contains St. Mark’s Basilica, which is tiled with Byzantine mosaics, and the Campanile bell tower offering views of the city’s red roofs.
Abano Terme is a town and comune in the Province of Padua, in the Veneto region, Italy, on the eastern slope of the Euganean Hills; it is 10 kilometres southwest by rail from Padua. Abano Terme's population is 19,062. The town's hot springs and mud baths are an important economic resource.
Verona is a city in northern Italy’s Veneto region, with a medieval old town built between the meandering Adige River. It’s famous for being the setting of Shakespeare’s "Romeo and Juliet." A 14th-century residence with a tiny balcony overlooking a courtyard is said be “Juliet’s House." The Verona Arena is a huge 1st-century Roman amphitheater, which currently hosts concerts and large-scale opera performances.
Nervesa della Battaglia is a comune in the Province of Treviso in the Italian region Veneto, located about 45 kilometres north of Venice and about 20 kilometres north of Treviso. In February 1358 Nervesa was the scene of a battle in which the Republic of Venice was defeated by the forces of King Louis I of Hungary.
Torre di Mosto is a town in the Metropolitan City of Venice, Veneto, Italy. It is south of SP18.
My Name Is Ernest (2014)
Starting from this maxim of Hemingway, the film is depicted through the metaphorical figure of a child accompanying us on a journey to discover the places and events lived by the American writer in Italy, paying particular attention to the two macro-periods in Veneto: the first, in 1918, where the writer is along the Piave front as a volunteer of the American Red Cross; the second, in 1948, when he returned to Veneto to savor the beautiful Venetian life and cultivate his hobby for hunting and nature. The passage from the cinematic part (with accurate reconstructions of the sets in the original places) to the documentary (rich in archive images, even unpublished) is always tended to favor in the viewer the perception of a product in which the two parts are perfectly amalgamated dosed among themselves.