Pa-ra-da Filming Locations
Pa-ra-da Filming Locations
Bucharest, in southern Romania, is the country's capital and commercial center. Its iconic landmark is the massive, communist-era Palatul Parlamentului government building, which has 1,100 rooms. Nearby, the historic Lipscani district is home to an energetic nightlife scene as well as tiny Eastern Orthodox Stavropoleos Church and 15th-century Curtea Veche Palace, where Prince Vlad III (“The Impaler”) once ruled.
Paris, France's capital, is a major European city and a global center for art, fashion, gastronomy and culture. Its 19th-century cityscape is crisscrossed by wide boulevards and the River Seine. Beyond such landmarks as the Eiffel Tower and the 12th-century, Gothic Notre-Dame cathedral, the city is known for its cafe culture and designer boutiques along the Rue du Faubourg Saint-Honoré.
Italy, a European country with a long Mediterranean coastline, has left a powerful mark on Western culture and cuisine. Its capital, Rome, is home to the Vatican as well as landmark art and ancient ruins. Other major cities include Florence, with Renaissance masterpieces such as Michelangelo’s "David" and Brunelleschi's Duomo; Venice, the city of canals; and Milan, Italy’s fashion capital.
Pa-ra-da (2008)
The film tells the true story of French clown Miloud Oukili from his arrival in Romania in 1992 (three years after the fall of Ceausescu) to his encounter with the street children of Bucharest, known as «boskettari» who live in the streets and sleep in Bucharest's sewers, eking a living out of petty crime, begging, and prostitution. Miloud wants to meet these neglected kids, turned into a quasi-feral state by their tragic past and ravaged by physical and sexual abuse and drug addiction, and shine some light in their lives. Although his efforts are at first hampered by corrupt and prejudiced Romanian police officers, Miloud will succeed in creating a real circus company with the «boskettari». The street children will perform in Bucharestâs main square, proving the world that they are not rejects but human beings.
