The Genius of Mozart Filming Locations
Where was The Genius of Mozart filmed? The Genius of Mozart was filmed in 3 locations across United Kingdom and Czech Republic in the following places:
The Genius of Mozart Filming Locations
Luton is a town and unitary authority with borough status in Bedfordshire, England, with a population at the 2021 census of 225,262. Luton is on the River Lea, 32 miles north-west of London, 18 miles north-west of Hertford, 20 miles south of Bedford and 23 miles south-east of Milton Keynes.
Oxford, a city in central southern England, revolves around its prestigious university, established in the 12th century. The architecture of its 38 colleges in the city’s medieval center led poet Matthew Arnold to nickname it the 'City of Dreaming Spires'. University College and Magdalen College are off the High Street, which runs from Carfax Tower (with city views) to the Botanic Garden on the River Cherwell.
Prague, capital city of the Czech Republic, is bisected by the Vltava River. Nicknamed “the City of a Hundred Spires,” it's known for its Old Town Square, the heart of its historic core, with colorful baroque buildings, Gothic churches and the medieval Astronomical Clock, which gives an animated hourly show. Completed in 1402, pedestrian Charles Bridge is lined with statues of Catholic saints.
The Genius of Mozart (2004)
The story begins with the composer's father Leopold, with whom he conducted a passionate, tortured correspondence; it is Leopold who knows Mozart's secrets. There is another voice: that of the music itself. Music is the key to unlocking the emotions of Mozart, starting in this film with the great piano works. Without this key, how can we ever understand the emotions that gave birth to some of the most beautiful sounds the world has ever heard? The first great phase of Mozart's brief life was that of the traveling child prodigy, gifted as a performer and writer of music, who grew into the genius who, working within the restrictions of his time, began to rewrite the musical rules. But there was another facet to Mozart: the adult thinker aware of the bigger picture, passionately attached to the progressive values of the Enlightenment, impressively well-read, a speaker of most European languages (even a little English), an Austrian Catholic, a Freemason, and above all a composer at the height of his formidable powers, determined to succeed in the most difficult and lucrative area of all: Opera. Towards the end of his life, Mozart mastered the language of instrumental and orchestral writing--and how both love and loss provoked in him an extraordinary burst of creativity. This was essentially crystallized in three ambitious works that changed the future course of music: his last, great trilogy of symphonies--numbers 39, 40 and 41--which he wrote in six short weeks.