Toter Mann Filming Locations
Where was Toter Mann filmed? Toter Mann was filmed in 5 locations across Germany in the following places:
Toter Mann Filming Locations
Berlin, Germany’s capital, dates to the 13th century. Reminders of the city's turbulent 20th-century history include its Holocaust memorial and the Berlin Wall's graffitied remains. Divided during the Cold War, its 18th-century Brandenburg Gate has become a symbol of reunification. The city's also known for its art scene and modern landmarks like the gold-colored, swoop-roofed Berliner Philharmonie, built in 1963.
Brandenburg an der Havel is a German town west of Berlin. It’s known for its Gothic, red-brick buildings, including the 15th-century Old Town Hall. Close by, Brandenburg Cathedral has a chapel with a painted vault, a baroque organ and a museum displaying medieval textiles. The late-medieval St. Paul’s Monastery is home to the Archaeological Museum. Nearby are the ruins of the medieval town wall.
Stuttgart, capital of southwest Germany’s Baden-Württemberg state, is known as a manufacturing hub. Mercedes-Benz and Porsche have headquarters and museums here. The city is filled with greenspaces, which wrap around its center. Popular parks include the Schlossgarten, Rosensteinpark and Killesbergpark. Wilhelma, one of the largest zoos and botanical gardens in Europe, is just northeast of Rosenstein Castle.
Wittenberge is a town of eighteen thousand people on the middle Elbe in the district of Prignitz, Brandenburg, Germany.
Germany is a Western European country with a landscape of forests, rivers, mountain ranges and North Sea beaches. It has over 2 millennia of history. Berlin, its capital, is home to art and nightlife scenes, the Brandenburg Gate and many sites relating to WWII. Munich is known for its Oktoberfest and beer halls, including the 16th-century Hofbräuhaus. Frankfurt, with its skyscrapers, houses the European Central Bank.
Toter Mann (2001)
The first entry in Petzold's "ghost trilogy," Something to Remind Me marks the first of his many collaborations with actress Nina Hoss. It's also the director's first variation on Vertigo, reshaping Hitchcock's classic story of pursuit, manipulation, and doomed obsessions via a seemingly innocent attraction between reserved attorney Thomas and Leyla, a lonely blonde woman who's new in town. But all is not what it appears to be. Dialing back Hitchcock's romantic impulse and cinematic extravagance, Petzold uses his trademark stylistic rigor and keen eye for human complexity to craft a fragile moral universe all his own. Courtesy of Austrian Filmmuseum.