Ziva Postec, la monteuse derrière le film Shoah Filming Locations
Where was Ziva Postec, la monteuse derrière le film Shoah filmed? Ziva Postec, la monteuse derrière le film Shoah was filmed in 4 locations across Israel, France, United States and Canada in the following places:
Ziva Postec, la monteuse derrière le film Shoah Filming Locations
Tel Aviv, a city on Israel’s Mediterranean coast, is marked by stark 1930s Bauhaus buildings, thousands of which are clustered in the White City architectural area. Museums include Beit Hatfutsot, whose multimedia exhibits illustrate the history of Jewish communities worldwide. The Eretz Israel Museum covers the country’s archaeology, folklore and crafts, and features an on-site excavation of 12th-century-B.C. ruins.
Paris, France's capital, is a major European city and a global center for art, fashion, gastronomy and culture. Its 19th-century cityscape is crisscrossed by wide boulevards and the River Seine. Beyond such landmarks as the Eiffel Tower and the 12th-century, Gothic Notre-Dame cathedral, the city is known for its cafe culture and designer boutiques along the Rue du Faubourg Saint-Honoré.
Washington, officially the State of Washington, is the westernmost state in the Pacific Northwest region of the United States. It is often referred to as Washington state to distinguish it from the national capital, both named for George Washington.
Montréal is the largest city in Canada's Québec province. It’s set on an island in the Saint Lawrence River and named after Mt. Royal, the triple-peaked hill at its heart. Its boroughs, many of which were once independent cities, include neighbourhoods ranging from cobblestoned, French colonial Vieux-Montréal – with the Gothic Revival Notre-Dame Basilica at its centre – to bohemian Plateau.
Ziva Postec, la monteuse derrière le film Shoah (2018)
A little-known name linked to a film that was to profoundly shake up our notion of history. Ziva Postec devoted nearly six years of her life to editing Shoah: the epic opus by Claude Lanzmann that would shed harrowing new light on the extermination of the Jews during the Second World War. Delving into her memories, the editing room virtuoso-a survivor in her own way-tells her story for the first time, going behind the scenes of the monumental undertaking to bring previously unseen footage to the screen. Performing her task with a devotion bordering on obsession, Postec reveals herself as a humble heroine, one whose unwavering commitment and luminous intelligence contrast sharply with some of humanity's darkest hours.